Dorothy Moore
offering singing lessons and her performances
CMBS Blues News September 7, 2008
Grammy award nominee singer Dorothy Moore offers vocal coaching in the Mississippi Delta on Friday, September 12, 2008. She will be at the Delta Music Institute (DMI), Delta State Campus, Cleveland, MS. Moore will be available from 9-5 to provide individual lessons for young and old at the DMI located in the old Whitfield Gymnasium. The cost for the services will be $150 paid by cash or money order. The special one-on-one lesson will be for 45 minutes. For more information contact Marcia at 601-968-2976.
The Senator's Place, Cleveland, Mississippi, is another stop for Dorothy Moore on Thursday, September 11, 2008. Moore will sing many of her hits. The show starts at 8:00 pm with the Pearl St. Jumpers, a local group. Call for tickets 662-846-7434.
Then the long awaited BB King Museum will open on Saturday, September 13, 2008, at 10:00 AM. Dorothy Moore will sing the National Anthem for the Grand Opening. The Museum is located on Second Street at Sunflower, Indianola, MS. For info on the museum opening contact www.bbkingmuseum.org.
Join Dorothy in the Delta for these special events. For more info about Dorothy go to farishstreetrecords.com.
New Single Release
Pat Brown featuring The Rhythm All-Stars
CMBS Blues News August 24, 2008
The Vice President of the Central Mississippi Blues Society Pat Brown released a new CD single with The Rhythm All-Stars. The single entitled: I Got Something that'll Hold Him was released August 19, 2008. Pat recorded the song in Panama city, Florida at the Silk Records Studio owned by Gregg "Sticks" McCray, also drummer of the band. Background features lead vocalist of the group "Ayce". The music was produced by Gregg "Sticks" McCray and the lyrics Written by Pat Brown and Chestine Jackson.
The song has received great reviews with DJ's reporting that the song is a hit. The news of the release was also reported in The Boogie Report Newsletter the same week that the single released. It is reported that the single "I Got Something That'll Hold Him" is receiving great reviews in the European market as well.
Pat Brown and The Rhythm All-Stars will tour the U.S. and Overseas in the coming months. She will also have her own Blues Cruise October 18, 2008 and will also cruise with The Rhythm All-Stars, Cyril Nevilles, Junior Marvin, Simeo, AL Lindsey, Mr. Zay and The Real Brown Sugar April 23, 2009.
Thanks to everyone that made this project possible for Pat Brown and The Rhythm All-Stars. 1 minute snippet of single
Blues the Way He Feels It
Larry Morriseyby
August 6, 2008
Ben Payton wants to change your mind about blues music from the 1920s and ’30s. The Jackson-based guitarist and vocalist encounters negative attitudes toward the genre from time to time.
“Some people, when they hear the blues, they automatically turn their nose up at it,” Payton says. He is determined to win audiences over, however. He challenges people’s perceptions with unique arrangements of songs by legendary performers like Robert Johnson and Mississippi John Hurt.
“My goal is to add an artful feel to the old acoustic blues,” he explains.
While today he specializes in early blues, Payton was not exposed to this era of the music when he was growing up.
Born and raised in Coila (pronounced “Koh-AH-lah”), a small town in Carroll County, Payton spent much of his childhood in the agricultural work cycle.
“Our lives were so wrapped up in rural living,” he says. The music he heard then was gospel, provided by his piano-playing grandmother and an uncle who performed with a local quartet.
Payton’s access to popular music radically changed when he moved to Chicago with his family in 1964. The 16-year-old Mississippi boy arrived in the city when its club and concert scene was booming. “All the music was going on in Chicago,” he says. “We would listen to anybody.”
From club shows by Muddy Waters and other bluesmen to concerts by touring acts like James Brown and Wilson Pickett, Payton and his friends were there to see them all.
A year after moving to Chicago, Payton joined a singing group in his neighborhood. He then learned guitar and started performing with friends.
By the time he was 20, Payton was playing guitar in the house bands of several show clubs on Chicago’s South Side, backing up well-known performers, such as R&B singer Otis Clay and jazz guitarist Grant Green.
Payton also played informally with local jazz musicians. These connections led to one of his most memorable gigs: In 1970, he heard through friends that the jazz pianist Randy Weston—who had moved from New York to Tangier, Morocco, and opened a nightclub—was looking for an American soul group for a long-term residency. Payton and some friends quickly put together a band and were soon on their way to Africa.
The group’s main job was playing at Weston’s club, but soon began branching out to other gigs around the country.
“We got to do some things that other groups would have given their arms to do,” Payton says. For example, they played at a club in Casablanca and for a party for Morocco’s monarch, King Hassan II.
After seven months in Morocco, Payton returned to Chicago to play in local clubs, but by then the working musician’s life was losing its appeal.
By the late 1970s, he was married and active in a church. He drifted away from nightclub work and focused his musical activity at church, where he backed up the choir.
Payton worked solely as church musician for the next two decades, but in the late 1990s, he stumbled upon some “new” music. Tuning in to blues programs on public radio, he heard acoustic blues from the 1920s and ’30s for the first time.
“That music really caught my ear,” he recalls. “And from right then, that was what I wanted to do.”
The guitarist soon began teaching himself the songs of the early bluesmen. The music provided Payton with a new way to return to secular music without having to join a group. “I was tired of the loud bands,” he says. “I wanted to be up on stage by myself.”
Payton also decided during this time to return to his home state. His marriage had ended in divorce and the guitarist became eager to re-establish ties with his extended family. He moved to the Jackson area in 2004 and was soon honing his act through a weekly gig at Gravity Coffeehouse in Clinton. After a year-long residency there, Payton began seeking out other places to perform.